Dead and Gone

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From Fango:

With the dilapidated cabin and nearby eccentric redneck neighbors his only stimuli, Jack begins to flirt with the local constable (Shure), an Iraq War vet so traumatized by her overseas experience that she refuses to even carry a gun. The courtship is put on hold however when Frankie regains consciousness. With unnatural vigor, she resumes her relentless taunting of Jack, which does little to improve her husband’s psyche. On the contrary, Frankie’s vitriolic behavior forces him to do the unthinkable: to smother her. This being a horror film, though, her death isn’t as decisive as Jack may have liked.

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